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War in the jungles of south-east Asia has provided the topic for many classic tales of endurance, from Samuel Fuller’s The Steel Helmet (1951) and Merrill’s Marauders (1962) to David Lean’s The Bridge on the River Kwai (1957).But Francis Ford Coppola’s magnum opus Apocalypse Now is the jungle warfare film to end them all.According to Greenwald, while there Snowden was "considered the top technical and cybersecurity expert" in that country and "was hand-picked by the CIA to support the president at the 2008 NATO summit in Romania." Snowden described his CIA experience in Geneva as "formative," stating that the CIA deliberately got a Swiss banker drunk and encouraged him to drive home.

After the ordeal of filming in the Peruvian jungle for Aguirre, Wrath of God, Herzog went back for more with an even more taxing, foolhardy enterprise.Fitzcarraldo charts the wild-eyed efforts of rubber-baron Brian Sweeney ‘Fitzcarraldo’ Fitzgerald (Klaus Kinski) to bring culture to the wilderness, sailing up unnavigable waters with the aim of building an opera house deep in the jungle.Celebrating unfettered human passion and endurance, while in the same breath pointing to the absurdity of man’s ambitions over nature, Herzog’s film is conclusive proof of the director’s own extraordinary stamina and idealism.An archetypal example of Hollywood exotica, using the forests and lakes of California and Florida as stand-ins for the African jungle, it picks up where the first film left off, with society girl Jane (Maureen O’Sullivan) living her new life in the trees with Tarzan and his chimpanzee, Cheetah – an idyll that will be disturbed when two huntsmen arrive in search of ivory from a local elephant burial ground.Notable for being the only film ever directed by Cedric Gibbons, whose name appears as art director on hundreds of golden age Hollywood productions, Tarzan and His Mate is also surprisingly erotic, pushing at the boundaries of film censorship with underwater skinny-dipping sequences in which O’Sullivan appears nude and free from the shackles of civilisation.

After the ordeal of filming in the Peruvian jungle for Aguirre, Wrath of God, Herzog went back for more with an even more taxing, foolhardy enterprise.

Fitzcarraldo charts the wild-eyed efforts of rubber-baron Brian Sweeney ‘Fitzcarraldo’ Fitzgerald (Klaus Kinski) to bring culture to the wilderness, sailing up unnavigable waters with the aim of building an opera house deep in the jungle.

Celebrating unfettered human passion and endurance, while in the same breath pointing to the absurdity of man’s ambitions over nature, Herzog’s film is conclusive proof of the director’s own extraordinary stamina and idealism.

An archetypal example of Hollywood exotica, using the forests and lakes of California and Florida as stand-ins for the African jungle, it picks up where the first film left off, with society girl Jane (Maureen O’Sullivan) living her new life in the trees with Tarzan and his chimpanzee, Cheetah – an idyll that will be disturbed when two huntsmen arrive in search of ivory from a local elephant burial ground.

Notable for being the only film ever directed by Cedric Gibbons, whose name appears as art director on hundreds of golden age Hollywood productions, Tarzan and His Mate is also surprisingly erotic, pushing at the boundaries of film censorship with underwater skinny-dipping sequences in which O’Sullivan appears nude and free from the shackles of civilisation.

, 1988), this rollicking, old-fashioned adventure boasts terrific chemistry between Turner and Douglas, and Danny De Vito on top form as one of the nefarious kidnappers.